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Photos courtesy of the very awesome Justin Lee.
Thank you all for your readership this year! Hoping for bigger and better in 2012.




























The black and white doesn't really do it justice but you can still make out some of the ornate details. I wish I could have stepped past the velvet ropes and walked around the room!

Above: Ektar 100 | Below: Fuji Pro 400H.
Empty beaches are always so photogenic. I am dying to plan another trip somewhere, but it's funny (and terrible) how I now think of traveling primarily as extended photo walks. Everything else (the food, culture, etc. of the place) comes second. I definitely want to escape to warmth come February when the winter starts to really drag on us over here. Currently eyeing Costa Rica...

ETA: Please do not view this in Internet Explorer. It looks like crap.
Above, oysters with smoked bacon and Worcestershire dressing. Below, the talented team - pastry chef Ryan Butler, bar manager John McCarthy, and chef Chris Rendell.
And with that, happy weekend, all!
Donning my current choice red: NARS lipstick in Joyous Red. :)
There's a mix of Kodak Portra 160 and Fuji 400H here.
I recently discovered another fall (ish) favorite - the Pan American Clipper which has got something like apple brandy, lime, grenadine and an absinthe rinse. What's your drink of choice?
These two NYC watercolor sketches are from the talented Suhita of Sketch Away. When we were all cooped up inside on the day of Irene's supposed rampage, I went on an blog surfing binge and came across her work, which I immediately HAD to have. J is all about getting original artwork, so we got these created for us. They were remakes of this and this, both of which are super affordable prints. Suhita mentioned that the cool thing about these two was that they were sketched from the same place in the city. All it required was a turn of the head.
It was a gorgeous sunny, windy autumn day that day.
Damn, expressions are hard. I can really appreciate a good portrait now, having tried to convey different expressions and failing. I realized that generally, when I don't smile in my portraits, I come off as a smug bitch. And smiling is no bueno either, so I end up with the same half-amused barely there smirk in every shot. And these days, I just want to make everything black and white. Maybe it's because of the rapidly approaching winter...
Moseying on over to Times Square...
Such a cool word to say and such a great plant. This little pot from the Brooklyn Flea makes me happy. I'd like a whole sill of them. Also, I love using the close-up filters on my 50mm for shots like this. Instantly macro-fied!